SOAR Project fundraiser

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SOAR thumbnailEach year the New England Shakespeare Oxford Library has held a special sale in our Bookstore to raise funds to cover our basic costs … mostly website maintenance and fees, and acquisition of new books. But in recent years our costs have increased, mostly involving the publication of James Warren’s Index to Oxfordian Publications each year, and of then transferring all the entries from the Index into an online catalog (the SOAR Catalog, maintained with specialized cataloging software on LibraryWorld’s library OPAC web servers), and finally (but most importantly!) of maintaining and enhancing those records (the SOAR Project).

The SOAR project is now the major ongoing activity of the New England Shakespeare Oxford Library, and it will take years more to complete, with the ultimate goal being that every single one of the 5,000 records presently in the catalog (and the thousands more to come in the coming years) will each include an abstract and/or excerpt from the article itself, subject tagging of all records so that ALL similar items in the catalog can be retrieved in one search (however and whenever they were published), and, finally, links to an online version of the article, maintained in the SOAR archive, or on any website anywhere in the world. To date more than 1,000 of the SOAR records now have direct links to PDF copies of individual articles, e.g., all of Shakespeare Matters (2001-2013), and the first 15 years (1965-1980) of the Shakespeare Oxford Society Newsletter. More of these links are added each week. Also, more than 500 records now have abstracts and/or excerpts from an article embedded in the record, giving users a quick look at what an article is about before reading it. Much of the recent history of how the Index and the SOAR Project have evolved since 2011 was reported in Linda Theil’s Febrary 24, 2015 news report for the Shakespeare Oxford Fellowship.

INDEX TO OXFORDIAN PUBLICATIONS (Cover thumbnail, resized_2)So, with all this recent history in mind, this year’s Fundraiser features deals on An Index to Oxfordian Publications, with a discounted price of $25.00 in our Bookstore, and with several combined bundle offers on the Special Offers page. These are pretty good deals for Oxfordian texts that are, in our humble opinion, historic and invaluable. Check them out.


3rd edition of An Index to Oxfordian Publications now available

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INDEX TO OXFORDIAN PUBLICATIONS (Cover thumbnail, resized_2)The Third Edition of An Index To Oxfordian Publications is now available on amazon.com ($39.95). and for a special discounted price ($30.00) at The New England Shakespeare Oxford Library Bookstore (sample pages are also available at the Bookstore site). This latest edition is 50% larger than the 2nd Edition (2013), with two thousand new listings having been added, for a total of more than 6,500 listings. In addition to updating the Index with the most recent publications from Oxfordian societies, the 3rd Edition also includes new sections on worldwide reviews and commentary on the Oxfordian theory that expands its already extensive coverage of all Oxfordian publications since the 1920s, and a selected bibliography of books.

The Index’s Oxfordian periodical coverage includes currently published titles (The Shakespeare Oxford Newsletter, The De Vere Society Newsletter, Brief Chronicles and The Oxfordian) through the end of 2014, plus full coverage of all past publications from both independent Oxfordian publishers and older Oxfordian societies, such as The Shakespeare Fellowship Newsletters (both the English and American branches, 1930s to 1950s), Shakespeare Matters, The Elizabethan Review, The Spear-Shaker Review, The Edward de Vere Newsletter, The Shakespearean Authorship Review, and The Bard.

The major new section in the Index includes more than 1,000 articles from 200 non-Oxfordian publications that have reviewed and commented on the Oxfordian theory, including the regular Oxfordian columns that appeared in Louis Marder’s Shakespeare Newsletter (1979-1991) and in The Shakespeare Pictorial (1929-1939). Other articles indexed range from ones in The New York TimesTimes Literary Supplement, Shakespeare Quarterly, Notes & Queries, etc. to numerous other commercial and literary publications (large and small) from around the world.

And finally, the Index has also been expanded to include an extensive, selected bibliography of Oxfordian or Oxfordian-related books, along with selected non-Oxfordian books on the Shakespeare authorship question in general. The 350 listings in the new book section include both nonfiction commentary and criticism, and also fictional works inspired by the Shakespeare authorship question, particularly the Oxfordian theory.

Editor James Warren is owed an enormous thank you from all Oxfordians (and all Shakespeareans, for that matter) for his tireless work in compiling the original Index in 2011-12, and for expanding on it over these past three years, to where it is now the definitive “go to” resource for any questions about past Oxfordian scholarship.

The next step, as Warren notes in his Introduction, is providing subject access to all this material, and providing copies of the articles themselves to anyone who wants to read them. This is the mission of The New England Shakespeare Oxford Library’s SOAR Catalog, which presently includes approximately 80% of what is in the 3rd Edition of the Index, and by the end of 2015 will include 100%, plus the beginnings of extensive subject access and access to the articles themselves.

Twelve Years in the Life of Shakespeare now on Kindle

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Twelve Years Cover Thumbnail (compressed)Hank Whittemore’s Twelve Years in the Life of Shakespeare (a compilation of his “A Year in the Life of Shakespeare” columns published in Shakespeare Matters from 2001-2005 during the years of my editorship there) is now available on Kindle (amazon.com).

These columns (covering years in the author’s life ranging from 1564 to 1604) are a great way to experience both the personal and political POV on Shakespeare that comes from viewing the works through the lens of the Oxfordian theory of the Shakespeare authorship. The final columns in the collection, covering the years 1601-1604, focus on the Essex Rebellion, the death of Queen Elizabeth and the accession of King James, and make much use of Whittemore’s “Monument” theory that Shakespeare’s Sonnets were primarily concerned with these events.


New book offers new claim to reveal Shakespeare’s true identity

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It’s been a while since I’ve posted anything, but this story today caught my interest, mainly because of the forthright confession by the writer (Robert Gore-Langton at the Daily Express in the UK) that he had long been someone who sneered and laughed at the whole authorship debate, and then just one book (Alexander Waugh’s Shakespeare at Court) said just the right thing in just the right way, and — suddenly — that familiar moment that all of us who are anti-Stratfordians (and/or Oxfordians) can relate to occurred: the epiphany.

Soon to follow, I am sure, is Mr. Gore-Langton having a ton of fun as everything that ever mystified him about Shakespeare starts to become “very” clear (pun intended).

From the article:

If like me, you have never doubted that Shakespeare wrote the plays of Shakespeare, you might well sigh at the fruitcake theories of the strange people who think he was someone else. The truth is, surely, blindingly obvious. We may not know much about him but we at least know Shakespeare retired to his hometown of Stratford upon Avon having written 36 plays that are utterly imperishable…

… After reading a new book by Alexander Waugh, “Shakespeare in Court” (the book is presented as a lively, learned but very funny court case in which witnesses are cross examined), I am beginning to think the anti-Shakespeare cranks might just have a point.

Bard blood at the Palace as Princes split over Shakespeare


Prince Philip

Prince Philip, a Shakespeare authorship doubter?

Bard blood? Nice headline, I thought. And just under it was,  “Philip and Charles at odds over playwright’s authenticity.” An authorship debate at the Royal Palace? Well, who knew?

Here’s the basics of the Daily Mail’s online story about the dueling Princes (and notice how the name of Edward de Vere, 17th Earl of Oxford, is conspicuously absent, even as Henry Neville, Christopher Marlowe and Francis Bacon get mentioned). After this current news story I have included a news item from 1996 that quotes Prince Charles on the issue of whether Shakespeare should still be taught in high schools —it’s worth a look.

From the Daily Mail:

Shakespeare’s plays contain their fair share of quarrelling princes – and now the Bard has sparked a real-life difference of opinion at the Palace.

Scholars have revealed that the Duke of Edinburgh believes the playwright did not write everything attributed to him — in opposition to Prince Charles.

Expert Stanley Wells, who has written in defense of Shakespeare’s authorship, last night said he had ‘crossed swords’ with Prince Philip on the issue.

He recalled asking the Prince if he was a heretic, only to be told ‘all the more so after reading your book’.

According to Wells, Prince Philip believes it’s more likely that some plays were written by diplomat Sir Henry Neville, who was imprisoned in the Tower of London over a 1601 rebellion.

Other theories have suggested that Francis Bacon or Christopher Marlowe may also have been the true authors.

Another expert, Professor Jonathan Bate, revealed that Prince Charles, president of the Royal Shakespeare Company, had asked him to list arguments backing the Bard as author.

He said: ‘I have got a hunch he wanted some arguments to put in front of his dad. I know he has the orthodox position on this.’

All this reminded me of a story we did in the Shakespeare Oxford Newsletter in the 1990s, when there were some thoughts about whether the authorship debate was in play at the Palace. It was my first year as editor, along with my brother Charles and Charles Beauclerk, who certainly knew a few things about life among the royals in the UK.

Beauclerk wrote an interesting brief news item for our winter 1996 issue (under the name Charles Vere) that is still relevant today. At the time he had written to the Palace asking whether Prince Charles had any thoughts on the authorship question and whether he would offer any comments, and had received back a brief letter from Charles’s secretary that stated that the Prince was “aware” of the controversy, but would not be speaking about it “at this time.” The phrase “at this time” caught our attention, and we wondered whether or not to make something of it.

In any event Charles did not mention the letter in the news item he wrote, but the item is still very interesting for what it does say about Prince Charles’s views on Shakespeare, and the issue of whether Shakespeare still mattered in the late 20th century, and whether or not he should still be taught in secondary schools.

Here’s the news item in full from the winter 1996 Shakespeare Oxford Newsletter:

Prince Charles has long been a devoted admirer of Shakespeare. His elder son and ultimate heir to the throne, Prince William, is named for him, while his younger son, Prince Harry, is named for his father’s favorite Shakespearean character, Henry V. Last October, a long article appeared by the Prince of Wales in The Daily Telegraph, one of London’s most reputable broadsheets, as part of the debate on whether Shakespeare should be a compulsory part of the curriculum in British high schools, as has been the case hitherto. Unsurprisingly, the Prince believes that every student at high should be exposed to Shakespeare.

What was perhaps most interesting about the article were HRH’s personal insights into the nature of Shakespeare’s art. In talking about his favorite play, Henry V, Charles wrote, “…each time I have seen or read the play, it has been the humanity of the King that has moved me the most.” There then followed part of the famous speech on ceremony from Act IV, scene I, which is too long to quote here, but which talks of the monarch’s unrelentingly public life. Prince Charles continued: “When I reread this play nearly 20 years after performing in it at school, I found myself wondering in amazement at Shakespeare’s insight into the mind of someone born into this kind of position.”

Using Shelley’s famous line that, “Poets are the unacknowledged legislators of the world,” Prince Charles pointed to Shakespeare’s moral purpose and the spiritual quality of his works. He wrote: “His plays are the direct successors of the mediaeval Mystery plays, which set out to hand on to future generations essential knowledge and experience under the guise of entertainment. Like them, Shakespeare’s plays communicate wisdom through the evocation and study of human emotion, thought and behavior

“Shakespeare holds up the mirror to Nature for us to see ourselves and to experience ourselves, so that we gain in the process a more profound understanding of ourselves and others, appreciating right and wrong, and the laws of emotion and nature which make us behave as we do.”

After such heady stuff, the final paragraph of the article brought one back down to earth with a bump. For the first time in the article, details of the author’s life were mentioned: that he was brought up in the gentle Warwickshire countryside, educated at the grammar school in Stratford, and baptized and buried in the local church.

Nevertheless, his Royal-Highness assured us, Shakespeare’s message is a universal, timeless one. “He is not just our poet, but the world’s.”


 Posted from Diigo. The rest of my favorite links are here.

Stevens v. Shakespeare : a letter in The New York Times

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John Paul Stevens (sketch image used in NYT)Last week I wrote that Justice John Paul Stevens found an indirect way to mention the Shakespeare authorship question in an interview in The New York Times, just one day after the cream of the Shakespeare establishment had gathered at the Folger Shakespeare Library and found many indirect ways to address the authorship question without actually getting around to, you know,  mentioning it (except for ridiculing Baconian codes a couple of times). See my earlier post, Authorship by indirection.

So, of course, there were some letters to the editor (or at least we assume there were more than one, but who knows?), and the Times printed one letter last Sunday. And the letter, of course, took the Justice to task for maintaining the “misguided, dispiriting and wholly imaginary existence of the ‘author of the plays attributed to William Shakespeare’,” and then let’s us know, “the question is settled.”

So that is that, we can only assume. One letter, question settled, we are done.

To the Editor:

I am willing to leave to scholars the demanding task of sifting through the legacy of former Supreme Court Justice John Paul Stevens’s more puzzling decisions over the years: his majority vote in Gregg v. Georgia (1976), which reaffirmed the use of the death penalty; his dissent in Texas v. Johnson (1989), in which he asserted that the burning of the American flag is not protected as free speech; and his lead opinion for Crawford v. Marion County Election Board (2008), upholding an Indiana law requiring citizens to show photographic identification in order to vote.

However, in re John Paul Stevens v. William Shakespeare, it is beyond disappointing to learn in “By the Book” (April 6) that he maintains the misguided, dispiriting and wholly imaginary existence of “the author of the plays attributed to William Shakespeare.” Mr. Justice, as to the authorship of Shakespeare’s plays, Cadit quaestio, the question is settled


Letters: Stevens v. Shakespeare – NYTimes.com

Posted from Diigo. The rest of my favorite links are here.

Revisiting the 1987 Moot Court Trial

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Yesterday I posted a VERY long post that, in hindsight, I think was too long, put two different topics side-by-side in one post, and also buried at the end some material that I think ought to be put out there on its own, just for the record if nothing else. So I chopped yesterday’s post in half, and am posting the second half (my thoughts on the 1987 Moot Court Trial in Washington DC, then and now) separately in this post. It also affords me the opportunity to add some further thoughts based on one of the presentations given at the just-concluded Shakespeare Authorship Studies Conference at Concordia University in Portland (OR).

Ogburn (1987, compressed)

Charlton Ogburn listens intently during the Moot Court Trial. (Photo credit Bill Boyle, all rights reserved)

In 1997 I was the editor of the Shakespeare Oxford Newsletter, and wrote our lead story for the summer 1997 issue, which was a 10th anniversary appraisal of the impact of the Moot Court. Given the historic events at the Folger last week (i.e., the “Shakespeare and the Problem of Biography” conference), I thought I’d reprint the bulk of that article here to provide some history and context on where we’ve been, and where we are undoubtedly headed, which is, simply (as we all hope) to the truth about who Shakespeare was (i.e., Edward de Vere, 17th Earl of Oxford), and how and why he became “Shake-speare.”

There were two things on my mind in re-visting the Moot Court Trial through the 1997 article:

1) First, it makes the point that Ogburn’s The Mysterious William Shakespeare (published in 1984) precipitated the event, along with several other major events in the 1980s, all of which set the stage for the next 25 years. And along the way the events surrounding the trial show how fast and loose opponents of the debate can be (and have been, and still are) in obstructing progress (what a surprise). In my own humble opinion, it was Ogburn’s book that lead — inevitably — to the Folger’s “Problem of Biography” conference last week. True, much has happened since TMWS was published, but it clearly set in motion the great advances that have taken place in the authorship debate over the past decades, and that should not be forgotten. Thirty years ago the idea of the academy dealing with the biography of the Stratford man was a non-issue, and text was king. Today the bunker-like Folger is under siege on the issue, and has no good answers. This year is the 30th anniversary of the publication of TMWS, and some recognition should be made of how important it was in getting us to where we are.

2) Second, the Trial itself gets right to the question of “What happened and Why?” I discuss in the article this problem of how to characterize just what took place 400 years ago that resulted in the author of the greatest works in Western Literature being deprived of his due credit, and even, in fact, being erased from history altogether. In 1987 the exchanges that took place over the word “conspiracy” were quite revealing, as were Ogburn’s own thoughts on the matter. The word itself has become so demonized in our present culture that using it almost automatically leads to ridicule. Yet we are then left with the question, “Well, what did happen, and how do we describe it?” And if what did happen was that a handful of individuals “conspired” to misrepresent the truth and hand down to posterity a false history, what word can we use? Readers should note what Justice Stevens said in his closing remarks about conspiracy.

This debate over conspiracy (both the word and the concept) has raged on for the past thirty years. Just what do we mean by “conspiracy?” At the Folger conference last weekend I had some interesting conversations with several colleagues about this very question. And then, just this past weekend, one of the presentations given at the authorship conference in Portland (“The Use of State Power in the Effort to Hide Edward de Vere’s Authorship of the Works of William Shakesepeare,” by James Warren) laid out a well-reasoned argument for just what may have happened (and why), all without using  the dreaded “C” word. What Warren discusses in his presentation dovetails nicely with some of what was said in 1987 about these questions of “What happened?” and “Why?” They are important questions that must be dealt with, sooner or later.

I’ll be posting more on this in the coming weeks, but I did want to get my reprint of the Moot Court article out there in a way that wouldn’t get overlooked, and that emphasizes this important issue. As we all love to say, “Stay tuned.”

Following is an edited version of my article. A PDF of the complete article is available here (SON33.3 (Summer 1997)_Boyle_1987 Moot Court Trial), and includes some more pix and a one-page sidebar article on the Shakespeare Oxford Society’s 11th annual conference, held the day after the debate.


The 1987 Moot Court Trial – “Ten years later the verdict is in: Edward de Vere and the Oxfordians won”

The events of September 25th-26th,1987, in Washington DC should eventually be known as one of the true watershed moments in the history of the Shakespeare authorship debate.

Moot Court (1987)_Blackmun_Brennan_Stevens (compressed)

Justices Blackmun, Brennan and Stevens listen to arguments during the 1987 Moot Court Trial on the Shakespeare authorship question. The event was covered on C-SPAN and made the front pages of The New York Times and The Washington Post the next day. (UPI photo)

First, there was the Moot Court Trial, held on Friday, September 25th, at American University, with three Justices of the United States Supreme Court presiding. This event attracted mainstream media coverage of the authorship debate such as had never been seen before in this century. And while the official result was a seemingly decisive 3-0 verdict for the Stratford actor, the true story from that day is that two of the three Justices presiding actually began a journey which eventually brought them to Oxford’s doorstep in the 1990s (along with many hundreds of other former Stratfordians).

Meanwhile, at the 11th Annual Conference of the Shakespeare Oxford Society (held in conjunction with the Moot Court event), history was also being made. The turnout of new Society members from around the country, all gathered together for the Moot Court, resulted in well-attended morning and afternoon meetings on Saturday, September 26th, which in turn resulted in the near tripling of the size of the existing Board of Trustees (from 5 to 14 members), and the beginning of 10 tumultuous years of growth and change. (See page 9 for a separate story on the 11th Annual Conference.)

There are undoubtedly a number of our current members who first became aware of the authorship issue through publicity immediately surrounding the Moot Court, or six months later through the James Lardner article on the event in The New Yorker (April 11,1988). […]

Looking back on all this 10 years later it is clear how far the Oxfordian cause has come in so little time. What has also become clear over these same 10 years is that some key questions are still with us today, questions about how to debate the authorship issue, how to publicize it, how to deal with the inevitable controversies that come along with it (controversies both with our adversaries and among ourselves) — in short, questions over how, ultimately, to prevail.

Charlton Ogburn has said, in 1987 and still today, that he was against this idea all along, believing that a narrowly focused legal proceeding could never do justice to the debate. However, as Oxfordian David Lloyd Kreeger pressed ahead with his plans for the Trial, there was an understanding that the actual trial would be not so much a trial as a head to head comparison of the case for Oxford as presented in The Mysterious William Shakespeare, verses the case for the Stratford man as presented by his best advocate using the standard biographies and evidence.

Controversy first arose in the days before the Trial, when Ogburn got hold of James Boyle’s brief on the case (Boyle was defending the Stratford man), and much to his horror found it to be page after page of what he considered to be boiler-plate Stratfordian arguments, combining the worst of such chestnuts as “All his contemporaries knew Shakespeare wrote the works” to what Ogburn considered some egregious misrepresentations of what he had written in The Mysterious William Shakespeare.

In preparing this article, Ogburn shared with us some of the letters he wrote in the months after the Trial. His chief concern was that attorney James Boyle’s entire brief felt to him as if it had been taken wholesale from some doctrinaire Stratfordian source, and Charlton more than once suggested to Boyle that he disassociate himself from such “slander.” Boyle never responded to Ogburn’s letters, but eventually, through a third party, Ogburn was assured that Boyle had indeed written the brief, and that he stood behind it.

A year later, however, Boyle did talk in print about the Trial, the authorship question, Oxfordians and Stratfordians in his article “The Search for an Author: Shakespeare and the FramersAmerican University Law Review 37:625(1988).

In the article’s first endnote Boyle dedicates the entire article to Samuel Schoenbaum, who, he says, allowed works to be part of the record for the case [i.e. the Moot Court], and further, who had recommended to Boyle “certain works on the subject.” Boyle goes on to state “I commend Mr. Schoenbaum’s beautifully written and charmingly humorous Shakespeare’s Lives to the reader as an example of what Shakespearean scholarship should be like.” Score one for the instincts of Charlton Ogburn.

There was more controversy on the day of the Trial. Justice William Brennan announced, in his opening comments, that the three-man Moot Court would follow more traditional legal proceedings, and that in the absence of a lower court ruling on this case (Shaksper vs. Oxford), Brennan ruled that the burden of proof was on the Oxfordians both to dismiss the Stratford man, and to establish Oxford — all in 1 hour! No similar burden was placed on the Stratford side.

Brennan’s surprising decision to place the entire burden on the Oxfordian side immediately illustrated what is probably the key issue in the authorship debate: to dispose or not to dispose of the Stratford man. Brennan stated that since his [Shaksper’s] claim went unchallenged for two centuries, it carried with it the presumptive weight of the law and it would take a “preponderance” of the evidence to take the works away from him (not just “reasonable doubts”). Justice Blackmun remarked to Brennan that “he hadn’t checked that with us [i.e. Blackmun and Stevens].” The exchange led to some laughter, but Charlton Ogburn was not one of those laughing.

With the burden of proof now totally on the Oxfordian side, the outcome of the Trial was a foregone conclusion. It also reinforced the importance of “disposing of the Stratford man” as a key issue whenever debating the authorship. Charlton Ogburn is quoted in the New Yorker article as saying, “You can’t get anywhere with Oxford unless you dispose of the Stratford man.” He repeated this point almost verbatim it us in our recent talk with him. And it’s easy to see why he feels this way. He cited in 1987 the experience of his parents with This Star of England, noting that “they made one terrible miscalculation. Until they got to the very last chapter, they didn’t even mention the Stratford man.”

The other key authorship issue that emerged during the proceedings can be summed up in one word: conspiracy. It is a word that neither Ogburn nor Society Vice-President Gordon Cyr is quoted as using in 1987, and in fact this word is completely absent from Lardner’s New Yorker report, although in the course of the Trial it made several prominent appearances.

Indeed, one senses that this was both Ogburn’s and Cyr’s chief concern in the days before the Trial. As reported by Lardner, Cyr worried about such matters as how many Oxfordians would show up, whether “fringe elements” would be among them, and generally how to cope with all the publicity. “Cyr was expecting…more Oxfordians, perhaps, than have ever been assembled in one place,” Lardner writes.

And in discussing what these “fringe elements” might bring up, Cyr stated that he had in mind such matters as the Ashbourne Portrait and the theory about Southampton’s parentage. A strange pairing of concerns, it seems to some of us today.

For while the Southampton issue rages on even today as a central and important piece of the whole story (and one which can open up the Pandora’s box of political conspiracy as part of the true story, Sobran’s Alias Shakespeare notwithstanding), the Ashbourne Portrait story now seems more like an interesting sideshow. The story in 1987 that concerned Cyr was the Folger’s rejection of the underpainting of the portrait as being the lost Ketel portrait of Oxford. But today that seems about as insightful as their recent attempts to deflect interest in de Vere’s Geneva Bible by claiming that Oxford didn’t make the annotations.

Meanwhile, early on in the Moot Court proceedings, Justice Brennan brought home this second key issue when he told Jaszi that the entire authorship debate sounded to him like a “conspiracy theory,” to which Jaszi immediately responded that a conspiracy was not necessary in a totalitarian society. This response sounds very much like what Charlton Ogburn has said for years, and which he repeated to us this year. “In a totalitarian society, it’s not conspiracy,” he stated. “Elizabeth’s word was final.” For some Oxfordians in 1987 this tactic (i.e., not even using the word “conspiracy”) seemed like a mistake, a matter of bobbing and weaving with our opponents rather than diving headlong into the seemingly unavoidable center of the issue. Somewhat later in our talk with Ogburn we returned to the subject of … “conspiracy,” and he remarked that, “[for anyone] to say no to ‘conspiracy’ is naive; it’s how the world works.”

At the end of the day, Justice Stevens had the last word, and he did not pull back from using the dreaded “C” word. He first brought a smile to Ogburn’s face when he remarked, “…I am persuaded that if the author is not the man from Stratford, then there is a high probability that it is Edward de Vere. I think his claim is by far the strongest of those that have been put forward.”

justicestevens (npr image_compressed)

Justice John Paul Stevens was clearly sympathetic to the Oxfordian case during the 1987 trial, and just a few years later he came out publicly in support of Oxford. (NPR photo)

A few moments later, however, he cut straight to the heart of the debate and to this primary tactical dilemma that comes with it. “I would submit,” he stated, “that, if their [Oxfordians’] thesis is sound, that one has to assume that the conspiracy — I would not hesitate to call it a ‘conspiracy,’ because there is nothing necessarily invidious about the desire to keep the true authorship secret — it would have to have been participated in by [Heminge and Condell and Digges and Jonson] …in my opinion the strongest theory of the case requires an assumption, for some reason we don’t understand, that the Queen and her Prime Minister decided, ‘We want this man to be writing plays under a pseudonym.’”

“Of course,” he continued, “this thesis may be so improbable that it is not worth even thinking about; but I would think that the Oxfordians really have not yet put together a concise, coherent theory that they are prepared to defend, in all respects.”

Stevens’ words were a fitting conclusion to the Trial, and they ring as true today as they did ten years ago. He has since written on the subject of the authorship (“The Shakespeare Canon of Statutory Construction” [published in the April 1992 University of Pennsylvania Law Review], clearly indicating his continuing interest and sympathies in the debate, while Blackmun has stated flatly (in the second edition of Ogburn’s The Mysterious William Shakespeare) that he would “now [1992] vote for the Oxfordians.”

In the ten years since much has happened, and at the Society’s Annual Conferences in the late 1990’s there are regularly four to five times as many Oxfordians gathered together each year as the 1987 turnout that so concerned Gordon Cyr.


… And last, but certainly not least, mention must be made of the importance of publicizing the authorship debate, something which the Moot Court Trial contributed to greatly, and which was followed by the Frontline documentary, The Shakespeare Mystery (1989), the Atlantic Monthly cover story (“Looking for Shakespeare,” October 1991), and such books as Richard Whalen’s Shakespeare: Who Was He? (1994). Now such efforts have taken on a whole new dimension with the phenomenon of the Internet. For here exists a venue where the debate can be experienced by thousands, and where there are no space or time limits for either presenting material or reaching a verdict.

… So it may be that Stratford’s Shaksper and his supporters will never be “officially” dislodged, neither by a smoking gun nor by a legal ruling. Instead, one by one future generations may simply—like Supreme Court Justices—leave Stratford, and soon all that will be left is a ghost town full of bewildered scholars, their legal claim to Stratford still firmly in hand, wondering what happened.

Time and the Shakespeare authorship debate march on


Folger_InteriorLast week I was in Washington DC to attend a conference at the Folger Shakespeare Library, “Shakespeare and the Problem of Biography.” I wrote later that it was an historic moment in the authorship debate. In thinking more about it this week I found myself recalling another historic authorship debate moment that also occurred in Washington DC (and one which I also had the privilege of attending back in my early Oxfordian days), the Moot Court Trial at American University in September 1987, featuring three sitting Supreme Court Justices (Harry Blackmun, William Brennan and John Paul Stevens) passing judgement on the authorship question (see the my post “Revisiting the 1987 Moot Court Trial” for some history of this event).

And then, lo and behold, as if right on cue, one of those Justices — Stevens — was suddenly in the news this week because of his views on the authorship of Shakespeare, expressed during an interview published in the The New York Times Sunday Book Reviews.

In the interview Stevens refers, three different times, to the “author of the plays attributed to William Shakespeare,” clearly alluding to someone other than the Stratford man while at the same time not naming anyone. Washington Post columnist Ron Charles (whom I’d written about just a few weeks ago for his over-the-top embrace of Stanley Wells recent e-book on the authorship debate, Why Shakespeare was Shakespeare), weighs in again on the authorship, laying into Stevens (The Justice Doth Protest Too Much) for being out of his depth. I think that all Charles really does, though, is demonstrate his own profound ignorance about both the authorship issue itself and the true story behind those who — like Stevens — have abandoned the Stratford story. Charles lets loose with the usual, all in just a few paragraphs:

Oxfordians and others who insist that someone besides Shakespeare must have written those immortal works will be encouraged that the former justice manages to emphasize his theory two more times in this brief interview. Asked to name his literary hero, he says, “The author of the plays attributed to William Shakespeare.” Asked to imagine his ideal literary dinner party, he invites “Samuel Clemens, Charles Dickens and the author of the Shakespeare canon.”

There is such a thing as scholarship, [Gary] Taylor [general editor of “The New Oxford Shakespeare”] argues, even expertise. “Conspiracy theories about the authorship of Shakespeare’s plays all depend upon a failure to respect the simple distinction between literature, which rightly belongs to everyone, and literary history, which, like legal history, is not a hobby, but a specialist discipline, best debated and adjudicated by experts. Don’t rely on my opinion of case law, and don’t rely on John Paul Stevens’s opinion about the authorship of ‘A Midsummer Night’s Dream.’”

For scholars this is a wearisome distraction from real work. Harvard professor Stephen Greenblatt wrote a bestselling biography of Shakespeare in 2004, but that’s done little to quell the Flat Earth speculation about who really wrote “Hamlet.” Perhaps, for some people, this question is beyond all rational evaluation. Every piece of evidence is only more proof of just how elaborate the Shakespeare deception is. At this point, Greenblatt seems resigned to let them have their fun.

Funny thing is, Prof. Greenblatt was one of the featured speakers at the Folger event last week, where he let loose with a few gems of his own. In checking my notes I think the best was his lament that the public was demanding “popular” biographies of Shakespeare, even as experts such as himself kept insisting biography didn’t matter (“interest is high,” he said … despite our teaching our students that all that matters is the text). Oh, that cursed public, wanting to know what the story was about how Shakespeare became Shakespeare. So Prof. Greenblatt writes Will in the World: How Shakespeare Became Shakespeare (2004), leads off on page one with “Let us imagine,” and then finds that the authorship debate still won’t go away! Go figure. Here’s a quote from the Preface (p. 12):

This is a book, then, about an amazing success story that has resisted explanation: it aims to discover the actual person who wrote the most important body of imaginative literature of the last one thousand years. Or rather, since the actual person is a matter of well-documented public record, it aims to tread the shadowy paths that lead from the life he lived into the literature he created.

“A story that has resisted explanation?” “actual person?” “…shadowy paths that lead from the life he lived into the literature he created?” I wonder why Prof. Greenblatt didn’t quote his own lines at the Folger last weekend. Couldn’t have been more “on topic.” Well, thereby hangs a tale.

Also note that Prof. Taylor brings in the bugaboo word “conspiracy,” right in sync with Charles’ own use of the ad hominem chestnut “Flat Earth.” Well, at least we’re beyond the “Holocaust deniers” meme, something which Greenblatt himself had once used but has now disowned … see the Oberon Shakespeare Study Group’s post on this (Greenblatt Sez Sorry to Oxfordians), posted just yesterday by Linda Theil. But Greenblatt still can’t resist taking some sort of shot, so he’s quoted saying, “I see no reason to deny anyone a guilty pleasure that is, as this one seems to me, in the category of speculations that the moon landing was staged in a Hollywood film studio or that extraterrestrials crashed in Roswell, New Mexico.”

The wonderful thing about the authorship story is that it’s never over, and it won’t be until the academy either provides some good answers to some tough questions, or — better yet — concedes the point that they’ve got the wrong guy (stay tuned). The current impasse is perfectly described in David Ellis’s The Truth About Shakespeare: Fact, Fiction and Modern Biographies (2013), a book not mentioned once at the conference last week. It’s main point, about the current biography craze that still leaves many readers empty, can be easily summarized by noting that there have been 20 plus biographies (and counting) published over the last few decades, with none of them really making sense of this key “how did Shakespeare became Shakespeare” question. Yet over these same years all the books published about Edward de Vere, 17th Earl of Oxford — depicting him as a real-life Hamlet who became “Shake-speare” for very specific, understandable reasons — do make sense about this same key “how and why” question, in overplus.

It might be said, in fact, that the question of “How and why Shakespeare became Shakespeare” is something we all have in common, Stratfordians and anti-Stratfordians alike. But to get down to some good, understandable answers one does need to have the right author in place.

I will be posting some detailed notes about what was said at the Folger’s “Problem of Biography” conference in the coming weeks. Some of the papers will apparently be made available to attendees in the near future, and a podcast of the opening lecture by Brian Cummings will also soon be available.

(NB: I had included in the original version of this post a long reprinted story about the Moot Court Trial, but decided later in the day to make that a separate post. That story (posted April 14th) can now be found under: “Revisiting the 1987 Moot Court Trial.”

Authorship by Indirection


Richard Waugaman (l) and Hank Whittemore (r) talk with another attendee during break time in the Great Hall.

Richard Waugaman (l) and Hank Whittemore (r) talk with another attendee during break time in the Great Hall.

It’s now two days later, and I’m gathering my thoughts after attending a remarkable three day conference at the Folger Shakespeare Library, “Shakespeare and the Problem of Biography.” About 150 attendees packed the small Folger Theater to hear some of the major names in Shakespeare studies speak on a topic that those of us involved in the authorship debate have grappled with for years. In addition to myself there were a handful of other Oxfordians present, including Roger Stritmatter, Hank Whittemore, Peter Dickson, Richard Waugaman, James Warren, and Shelly Maycock. The authorship debate itself was barely mentioned, although on several occasions Delia Bacon and Baconians came up, most notably in a presentation on the final day, “Secrets and Ciphers; Decoding the Decoders,” that had much fun showing Baconians getting lost in cipher codes, and concluding with William Friedman taking them on and taking them down in 1954 with his The Shakespearean Ciphers Examined.


Prof. Graham Holderness (University of Hertfordshire)

Prof. Graham Holderness (University of Hertfordshire)

The word Oxfordian was spoken once, at the very end of the last day, when Graham Holderness (University of Hertfordshire) mentioned the movie Anonymous during a Q&A and noted that the depiction of Oxford in it was a disservice to Oxfordians since it showed a Shakespeare who was not a man of the theatre. Holderness also made a statement that I have been using for years to characterize the real problem inherent in having no biography of the author in hand, namely that interpretations can go all over the map when they are unbounded by any facts about the author: “What’s to be done if anything can mean anything to anyone?” he asked. John Drakakis (University of Stirling), to whom the question was directed, replied, “Yes, it’s a problem … the debate will go on, it won’t ever end.” [and at this point I wrote in my notes, “how about replacing the wrong author with the right author? … that would help]

My initial take on the whole event is that it represents a real attempt to deal with the authorship debate, but only by indirection, to borrow a phrase from one paper, “Anne by Indirection,” in which the life of Elizabeth Quiney (wife of the guy who once wrote but never sent a letter to the Stratford man) was parlayed into a “probable” portrait of Anne Hathaway—believe it or not—and that “probable” portrait could then tell us things about her husband. Over and over during the three days the same themes kept popping up, in one form or another: can a text be interpreted and understood without a lot of facts known about the author? Is the author “in” his works somehow, whether he means to be or not? Does the biography of the author matter at all? Why are there so few facts available to us about this particular author, Shakespeare? What is the role of generations of critics and their criticism in understanding Shakespeare? What is the relationship between biographies of an author and criticisms of his/her work? This is a short list that I think touches on the highlights of what was said most often.

Let’s remember, it was thirty years ago this year that Charlton Ogburn published The Mysterious William Shakespeare, and re-ignited the authorship debate for a new generation. Just a year later William F. Buckley featured Ogburn and his book on Firing Line. A couple of years after that came the Moot Court debate in Washington DC (1987). And two years later came the Frontline documentary, The Shakespeare Mystery (1989). The debate has raged on since then. But through it all the mainstream scholars have stood firm on two things: they had the right guy, and biography doesn’t matter that much in literary criticism anyway.

Well, at this “Shakespeare and the Problem of Biography” conference they continued to hold firm on having the right guy, but the whole notion that biography doesn’t matter came up in talk after talk, and, in my humble opinion, it is definitely under seige and may be on its way out. And that’s a big deal, especially if your guy (Stratman) has no real, factually-based biography to speak of (and this “problem” of having few facts was spoken of and commented on throughout the conference, almost like a confession). Several speakers did say quite openly and clearly that biography doesn’t matter (most notably Brian Cummings, University of York, in his opening talk, when he said, “Biography is not necessary for literary criticism” and “biography is not necessary to historicism”). The same line was echoed by Jack Lynch (Rutgers) the next day when he too said, “Biography is not necessary for literary criticism.” Yet Joseph Roach (Yale), in a short, powerful presentation that highlighted the power of Shakespeare’s words centuries after they were written, stated in his conclusion, “Shakespeare’s life is in his works.”

And that is the authorship dilemma in a nutshell: Biography doesn’t matter vs. the author’s life is in his works.

There is much more to say about some of the statements made in each of the separate talks, and I will return to that over the coming weeks (drawing on the many pages of notes I took down).

Pete Seeger and the power of song

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Pete-Seeger-SongleadingAs I sit here working on different things on my computer the TV is on in the background, and PBS is re-broadcasting its American Masters segment on folk singer Pete Seeger (Pete Seeger: The Power of Song). The last time I saw it Seeger was alive, but he died in late January and this re-broadcast is now part history and part memorial. I can’t help but turn to the broadcast and immerse myself again in the music and the story of Pete’s life. It was a remarkable life spanning nine decades and touching on everything that has happened in our own history for nearly a century. You probably all know the story … artist, poet, singer, political activist … a genuine icon, and a hero. Late in the filmed segment his son (or maybe a grandson) remarks on how the song “Turn, turn, turn” reflects his long active life, where finally everyone has come to realize that his whole life was an act of love for everyone, and that song was the unifying force that allowed everyone to share that love. And yet … all that love and poetry was much more about taking a stand than romancing someone. And take a stand Pete did, over and over. He stood with unions against management, with protesters against war, and even as late as 2011 with Occupy Wall Street against banks. He never had commercial goals and was forever giving of his time and talent to help a cause. By the end of the show I had chills and tears. Where have all the flowers gone indeed?

I found myself thinking that somehow Seeger’s story is also about what I have come to believe about Shakespeare (i.e., Edward de Vere), that the Shakespeare Canon exists as an act of love coupled with the purpose of speaking truth —poetic truth— to power,  a kind of “power of poetry” not unlike protest songs. The idea that the Canon exists because one man was hell bent on making some money is wrong, simple as that.

There are tons of Seeger videos on YouTube, but here are two that are close to my heart: “Where have all the flowers gone?”, well, just because, and 2) “Waist Deep in the Big Muddy,” because here is our American Bard on center stage (after 17 years in banishment!) singing a war protest song —in  the midst of a war— that immediately got all political hell breaking loose, and undoubtedly hastened the end for the Smothers Brothers who had dared to put him on. Some things never change. I remember clearly watching it live in late February 1968. Two months later I was drafted, and 18 months later that was me in the big muddy, pushing on, none too happy about it, but in the end learning some important lessons about the reality of things.

Peace Pete.

“Where Have All the Flowers Gone?”

“Waist Deep in the Big Muddy” (original broadcast on CBS, February 25, 1968)


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