• Are you a Stratfordian or an Oxfordian? For a long time I’ve avoided the debate around Shakespeare’s ‘true identity’. Partly because, like many people, I enjoy the romantic idea of the enigmatic genius. And partly because any debate around authorship (I believed) could potentially take away from the focus on, and the enjoyment of, the words themselves.
    • What I don’t doubt is that whoever the author was, he (or maybe even she) was a phenomenally insightful and entertaining storyteller.
    • What do you think? Does it matter? History and authorship are contentious and malleable concepts. The words and stories live on. You might say they are celebrated, some might argue they are abused, perhaps t’is neither here nor there. To mourn a mischief that is past and gone is the next way to draw new mischief on.
    • Funnily enough, the film Anonymous, which still attributes all the Bard’s works to one man (though not the man from Stratford-upon-Avon), is mainly about the ‘power of words’, and is still, definitely a celebration of the plays.
    • I never believed Shakespeare was a brand name for a conglomerate of writers (as some do) because there is too much symmetry across the body of work: through literary, rhetorical and dramatic devices; imagery and figurative language (use of analogy, different types of irony, metaphor, puns and symbols, to name a few); types of humour employed; and a certain self-awareness or meta-aspect (in many of the plays).

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